ICS Early Years Center Blog

Inter-Community School Zurich, Switzerland

November 7, 2016
by Andrea Mills
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Who We Are: Transdiscliplinary Explorations of Identity, Perspective and Relationship Building

As part of kindergarten’s first unit of inquiry, Who We Are, initial encounters between children and educators, as well as families, began with sharing information about ourselves, developing agreements and spending time together in the spaces of our learning community.

Through a transdisciplinary lens, we have embraced the arts as symbolic languages for children to be creative, collaborate with peers, build and demonstrate conceptual understandings as well as support unit and arts learning outcomes. The Who We Are central idea, Interactions influence our relationships, required thoughtful consideration of meaningful opportunities for children to engage with one another.

Dance, drama, music and visual arts have a long tradition of acting as outlets for personal, collective and historical narratives about different peoples in a broad social context. We felt that collaborative engagement in creative spaces had great potential to draw the kindergarten community together while supporting the concepts and lines of inquiry (People have a responsibility when interacting with others within communities, Connections with the wider community help us learn about each other, Reflection on experiences helps us to understand ourselves and others)  in this unit.

Kinesthetic Identity

Initial learning proposals focused on music and movement. Music representative of the diverse cultural experiences of the children was shared. It became clear that the group felt a strong connection to different types of music through their movements and experienced joy and connection by sharing space in a purposeful kinesthetic way. As an international community the children exchanged stories of how different musical styles were familiar to them. We invited families to share personally significant music as well as research about and listen together to rhythms relevant to the group’s global ties. Music became a way of knowing about each other and our experiences.

As a community we learned about one another’s movement preferences and then developed a word bank of collaboratively generated dance words.screen-shot-2016-10-11-at-09-37-12One parent–a professional ballerina–joined us to help explore the children’s words related to movement. Children demonstrated ways they like to move when alone as well as with friends. A shared movement space provided the opportunity to consider ways our physical interactions influence others. The children often imitated one another and demonstrated joy and respect for different dance styles. To further explore this thinking, wire was offered as another way to represent and build understanding about the diversity in movement preferences. As the children created sculptures reflecting movement preferences they consolidated thinking about the fluid, abstract movement words into a tactile visible creation.p2060798p2060792

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Playing in a Band

Building on the initial movement explorations, a group of children was particularly interested in the idea of creating a “band”. A shared understanding emerged that there were certain essential components that made a band work. The children engaged in dialogue about different roles and responsibilities.

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“If there’s only a singer or only instruments then there wouldn’t be all the things to make the sounds.” Nikita

“Like us three boys we could set up a band. It’s like lots of people singing together on the same team.” Aaron

“There’s music and if there’s somebody singing too and the people who is singing has to follow the direction of the music with their voices.” Isabella

“The boss [has a microphone]. He knows what to sing and the whole band can quickly play with him.” Kai

img_6499-2Through dialogue, drawings and interactions the children developed ideas about a band as a group where collaborations, rights and responsibilities were key. A group list of “items needed by a band”, which included but was not limited to: hair gel, cool vests, a drummer and a microphone, was compiled. From there, we aimed to create opportunities in dramatic play for the children to explore pretend band play as well as engage with various musical experiences.

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Building on the interest and success of these inquiries, the kindergarten community is currently in the planning stages for a “Design Studio”. Plans include transforming a dramatic play space into an area where children can create design plans and experiment with mixing fabrics, basic sewing and costume/ fashion design.

In the true spirit of the PYP as a framework for learning, the children’s interests and ideas are driving this inquiry in a truly transdisciplinary way, while at the same time supporting the broader conceptual understandings and learning outcomes rooted in the UOI as well as the arts.

March 8, 2016
by Andrea Mills
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How The World Works: Developing Theories About the Winter Forest Through the Arts

The children in Early Years 1 have a strong relationship with the nearby forest as we spend weekly time exploring there. This natural ever changing setting provides countless opportunities to develop and explore theories connected to our unit of inquiry’s central idea that The Earth’s natural cycles influence the activity of living things.

The Language of Photography

With the intention of inquiring into natural cycles and patterns of behaviour in living things, we took some time to observe the children’s self-initiated interests during forest explorations. One morning, it was proposed that the children use cameras to take photographs of whatever they found compelling. In this way, the language of photography became a tool for the children to demonstrate their interests by sharing what they were drawn to through the literal lens of the camera. It quickly became clear that trees were a strong source of fascination and possible entry point for this exploration. OLYMPUS DIGITAL CAMERA

(Photo by Felipe Early Years 1)

Back at the classroom, we met, shared the images the children had captured as well as the children’s ideas about the trees. One child remarked that, “It looks like the branches are talking to each other.” The children were engaged with this idea and we wondered together what the trees might say if they could indeed talk. As a team of educators, we found this a powerful and significant approach to making sense of their images of winter trees. In their poetic way, the children seemed to be giving a “voice” to the trees.

Emma: “He’s saying Daddy or Mommy or baby.”

Felipe: “Maybe it’s a storm.”

Neela: “Like he says his clothes are falling down like he’s so skinny and spiky because there’s no leaves and maybe he wants to take a bath.”

 

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(Sharing ideas about the children’s tree photographs)

Through their words, the children expressed some discoveries about ways trees are affected by winter in our local context including leafless branches and windy storms. The children were given opportunities to explore their initial ideas with diverse materials and through multiple symbolic languages. We wanted to support the children with their exploration of the concept of causation and their wonderings around Why is it like it is”?

The Language of Clay, Sculpture and Design

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Typically, journeys to the forest include bringing back some natural treasures like branches, greenery, pinecones and acorns. Back in the classroom, we proposed these materials to the children together with clay. Some children chose to recreate the forest as they experienced it. Others represented the stream with clay and yarn. The nature of the work was highly collaborative with rich discussion and interaction. Amelie shared, “It’s the water when it’s moving.” We noticed that several children incorporated sound into their narrations. The children expressed their impressions of the tree sounds with the words “swish,” “bwaaaa,” “shhhhhhh” and others. Many used shivering body language indicating they had made a connection about the cold, windy weather and how it impacts them, supporting a developmentally appropriate understanding that we live in a world of interacting systems in which the actions of any individual element affect others. 

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“These are the tallest trees talking and they’re connected.”  Jackson

Graphic Representations of Talking Trees IMG_4755

(Observing, thinking, drawing and narrating about “the talking trees.”)

The children’s initial theory about talking trees was both beautiful and significant. The reproposal of this idea through graphic representation provided a way for the children to build the understanding that in art people make choices to construct meaning about the world around them. As the children drew they narrated:

Emma: “This is a storm and the tree is falling down in the storm.”

Neela: “Like a little girl was walking down the street and she heard the crunchy things and then saw the tree and the bird and she loved it.”

Felipe: “It’s falling down like that one.”

Billy: “These are all the leaves. They’re twirling only at the bottom.” 

Throughout all of the proposals, the children’s narrations, work (photographs, videos, sculpture) and previous ideas were presented back to them. During meeting times and before experiences with new materials, the children were given an opportunity to remember and reflect as teachers shared the work that had happened previously. In this way, the adults supported a deepening of thinking by acting as keepers of the children’s ideas and theories always supporting with extending connections and making learning more meaningful and relevant. 

 

The Language of Sound

The children had already identified sound as an important component of the winter forest. It was proposed that we record some sounds together that might be significant for the children. We shared the recordings back at the classroom and the children shared their reactions:

Jackson: “It’s a crunch, crunch, crunch” (walking in snow).

Felipe: “I hear the river song.” 

Leila: “You can hear the snow.”

The idea that the forest has sounds particular to a season represented another way of knowing and making sense for the children.

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(Exploring the sounds of the stream in winter)

Consolidating Ideas through the Language of Dance and Movement

Throughout these experiences there seemed to be several threads that emerged for the children. The ideas of storms and wind were strongly represented in the children’s drawings, narrations and sculptures which may reflect the children’s own experiences with winter in Switzerland. Sounds of the winter forest, particularly the sound of snow, as well as the “voice” of the trees were other points of interest and exploration. It was proposed that the children might explore these ideas with dance and movement. With a particular focus on the children’s observations about sound as well as the “voice” they had given to the trees, we wondered together how the winter forest might move or dance. 

Amelie: “We would have to be really high” (demonstrating with her arms and tippy toes).

Leila: “We would go fast.”

Ridley: “The snow might be quiet.”  

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(Using movement to represent understandings about the winter forest)

The children joyfully used their bodies to dance and move as they perceived the trees might with many stretching high, creating a storm by gracefully shaking the dancing ribbons and making blowing movements. Their discoveries about sound and movement to express creative ideas were pathways for the children to make sense and communicate understandings in a kinesthetic way. The children gave each other feedback when we viewed video footage of these experiences. One child commented that her friend “was storming very fast”.

The Arts as Symbolic Languages to Build Understandings

Throughout this inquiry the children used the arts as symbolic languages to build understandings about the natural cycle of the winter forest. The children’s strong relationship with the forest was key to supporting their theories about natural phenomena in a relevant way. As they were given opportunities to express ideas with clay, drawing, sound and dance, they were inquirers and their ideas evolved in a transdisciplinary manner.

Through listening, speaking and sharing their thoughts, observational skills developed. The children had a sense of agency as they were empowered to make choices about their work and interactions supporting the understanding that art has meaning as well as potential to support with making sense of ideas. The arts became a powerful vehicle to explore scientific concepts.  The understanding that art has meaning as well as potential to support with making sense of ideas was very present in this exploration of  natural phenomena. The theories, ideas and discoveries that came from the children will be explored further as we transition into spring supporting the children with developing an understanding that the earth’s natural cycles influence living things.   

“We are – and we must be convinced of this – inside an ecosystem: our earthly journey is a journey we make along with the environment, nature, the universe. Our organism, our morality, our culture, our knowledge, our feelings are connected with the environment, with the universe, with the world. And here we can find the spider web of our life.”

– Loris Malaguzzi

This project was collaboratively supported by Andrea Mills, Early Years Atelierista, Aisling Broderick, EY1 Teacher, and Lisa Rosado Darham, EY1 Teaching Assistant 

 

October 29, 2015
by katebowen
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International Schools in Host Culture Contexts: Supporting exploration of the PYP learner profile through outdoor learning

“Must we always teach our children with books? Let them look at the mountains and the stars up above. Let them look at the beauty of the waters and the trees and flowers on earth. They will then begin to think, and to think is the beginning of a real education.”

David Polis

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In an international context such as ours, students, families and educators bring the richness of diverse cultures, identities and influences of a global community. Working and learning together, we inevitably draw on individual backgrounds to create our own identity as an international community. Building on this idea, we also recognise how important it is for children to make authentic connections to local culture, geography and values of our host country of Switzerland. These connections play a significant role in shaping ways we live and learn together at school.

As a PYP school based in Switzerland, we recognize the importance our host culture places on children spending dedicated periods of time in the outdoors. The connections we have made with the local forest through our weekly visits have become deeply rooted in the identity of our learning community. Each of our EYC classes has a year long unit of inquiry into the laws of the natural world through the transdisciplinary theme How the World Works. The forest learning space has become central to the deep, rich inquiries of these units of exploration. Therefore, time in the forest, throughout the whole year and in all weathers is an integral part of the programme.

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Time spent in the forest is planned for by teachers with learning opportunities connected to the children’s current interests. We aim to develop children’s ideas and theories by re-proposing and connecting threads of learning in both the classroom and forest context. Encounters in natural spaces support the children to deepen their understandings about the world and are reflected upon when the children return to the classroom. This provides a platform for teachers to plan for further learning.  It is important to us to ensure connections between the forest and classroom continue to flow back and forth between the two spaces. When observing the children as they explore the forest together what often strikes us is the remarkable opportunities the outdoors has for developing the PYP attitudes in an organic and meaningful way

 As children set out for a morning of forest exploration the air buzzes with anticipation. The children and teachers alike are inquirers anticipating a morning full of awe and wonder as we embark on a shared learning journey.  As the children work together both independently and in collaborative groups, we observe and document their emerging theories and their connections to the Units of Inquiry. 

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The forest also provides a wealth of opportunities for the children to demonstrate and practice the attributes of the IB Learner Profile in a way that cannot be replicated in a classroom setting. As children climb trees and explore physical challenges they learn to develop their own understandings about boundaries and explore what it means to be courageous risk takers. The children are knowledgeable as they ask questions and build their own theories about the changes they observe in the natural world. They carefully consider what inquiries are personally relevant and meaningful and how they can extend their knowledge back in the classroom. Or as they work together to build a shelter they communicate their ideas with their peers, solving problems and thinking through possible solutions. They demonstrate their caring, principled outlook on the world around as they truly become stewards of the earth.

For the community at ICS, the forest is not just an additional learning environment, it is an essential part of our identity. It is a place where we can truly come together as a group to work and play in harmony with the natural world.

“Let nature be your teacher.”

William Wordsworth

Kate Bowen, Andrea Mills, Rebecca Smith and Victoria Newman

ICS Early Years Teachers

October 1, 2015
by Andrea Mills
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Den Building

Connecting Threads of Learning in Different Spaces

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As our class groups develop a growing sense of community, we intentionally plan learning provocations based on children’s interests which promote connections among our environments both indoor and outdoor. We aim to have threads of learning which are expanded upon in multiple spaces offering opportunities to scaffold and consolidate ideas.

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In the past weeks, there has been an emerging interest among a group of children around den building in the classroom as well as the courtyard space. The children have used large building blocks, fabrics, clothes pins and tape to work together to create a wide range of dens, tents and houses. We observed several components to this work.

First, there was the challenge of the actual construction of the structures. One group worked together to brainstorm and problem solve around the best way to build their den in a way that would be stable. A short exchange of dialogue and viewpoints illustrates the importance of the social context in which these children built understandings.

Izumi: The pegs won’t work! They just won’t work. You have to get something else.

Aaron: Maybe those long sharp ones that you put in like this. (hammering gesture)

Teacher: Nails?

Aaron: Yes, nails

Teacher: Hmmm, nails might not be ok for this floor. I wonder if there’s something else we could use?

Nikita: Cello tape?

Aaron: Yeah, cello tape and pegs.

Teacher: Should I get you some

Izumi: We can use the pegs for these like because it’s small enough but the tape for parts it won’t fit.

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The children used scientific thinking to collaboratively find a solution. Like engineers, they problem solved to figure out ways to successfully achieve their goal. They worked together to support the fabrics among the blocks to create a structure that was agreed upon by all. When they were successful, there was a sense of teamwork and group achievement. The child-driven nature of this collaboration added a heightened sense of investment. This particular experience was motivated by a small group. Yet, as other children passed by they offered help, suggestions and feedback, becoming part of the collective experience.

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The children sought out spaces for den play in the back courtyard as well, indicating to us that this was an idea the children were invested in and worthy of further exploration. Some common threads emerged as considerations for the children in their constructions. The ideas that seemed important to them included:

safety

hiding

protecting (babies, robbers)

being together

making spaces for activities like eating together and sleeping

The themes of the children’s narratives around what is valued in the  constructions give us a lens into the children’s thinking.  Play is a way for children to make sense of their world. As such, play enables a sense of empowerment  to explore emotions, fears, theories and ideas in a world where children are working out their place. We saw this clearly in the den projects.

Building on this interest, we reproposed the idea of structure building during a visit to the forest. Spending dedicated time learning in nature is an intentional decision in the Early Years. The encounters and interactions with each other and the environment become rooted in our EYC identity as the children and teachers form strong connections to this space. As such, it was a natural choice for a reproposal of  these interests. We wondered if these same themes would emerge and how children might work together and build on their thinking in the forest context.

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Waldkinder

Upon arrival at the forest, we met altogether and shared materials including fabrics, chicken wire, rope and strings, clothes pegs and more that we brought along for the day. The children were asked about their ideas for using the materials and shared thoughts:

Cloth

Lance: Make the top of the den

Mouza: We could use it to hide with

Lola: We could use it as a roof

Again, we noticed the narratives around safety, hiding and protection.

Chicken Wire

Fred: To do on the top of the sticks… a net

Finlay: You could use it if you see a bear, you could use it like a net

Owen: You could catch dinosaurs. You can put dinosaurs in the net

Jake: That’s not a net!

Rope and String

Khalid: I see cotton

Lance: Climbing mountain rope

Tuur: ‘String”

Jack: A rope

The Building

Using the materials and their ideas the children began constructing. Mouza asked for teacher help with placing the materials higher to create a bed to climb up. The children were required to problem solve as the materials began to move. Smilla and Mathilda thought the rope would be useful. They found a “rainbow branch” and Smilla, who is learning English, showed us by using her arm in a circular movement that she wanted it tied up. The teachers secured a knot so it was safe.  Mathilda felt the rope was too long for a swing when she saw Khalid use it. Giulia had an idea with the orange string. She began to knot the rope and together they worked to secure it. Izumi intervened by bringing strings and offered to climb a tree to stop it from falling. This was an opportunity for the children to explore ideas around structural integrity in the context of construction. They listened and cooperated around a shared goal.

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The children demonstrated sophisticated communication skills, accessing multiple verbal languages within the group to reach a shared goal around how to tie the string so that it is attached securely.

Elena: Was ist deine Idee? (What is your idea)

Eleonore: Das ist nicht schwierig (It’s not hard)

Elena: Das ist nicht zu haben (You shouldn’t use this)

Elena: Machst du das Giulia? We need a tighter knot, a very tight knot. What do the ties do?

Nikita: This is a really tight and close so the knot doesn’t come undone.

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There was also some dialogue around friendships and power structures.

Jake: We are chiefs from Giulia (Jake and Aaron)

Aaron: Yeah; we are searching for our friends from other countries.

Lance: We found a white special rock, because it looks like a diamond.

Finlay: I found something that is quite strange! Come, we found a new house. It’s a lot of sticks in here!

Lance: I will close the gate. I have security guards.

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The reproposal of den building with new materials in the forest was an opportunity to revisit play themes that were important to the children.  As the children engaged in tying knots, manipulating yarn around branches and constructing with diverse materials, they were actively  building their fine motor skills in a self motivated way. Physical activities requiring gross motor competencies like climbing, jumping, walking and running are promoted naturally in the forest environment. The ongoing den project illustrates why we are committed to offering children diverse opportunities to consolidate and expand their ideas, thinking and theories. We look forward to building on these interests and experiences in familiar and new contexts over the next weeks and months.

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“The wider the range of possibilities we offer children, the more intense will be their motivations and the richer the experiences. We must widen the range of topics and goals, the types of situations we offer and their degree of structure, the kinds of combinations of resources and materials, and the possible interactions with things, peers and adults”.

– Loris Malaguzzi

Photographs by Rebecca Smith – ICS Early Years Teacher

September 11, 2015
by Andrea Mills
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Making Connections through the Language of Movement

It is a new school year filled with wonder, curiosity and hope.  Many children have joyfully reconnected with familiar friends and we have had many new faces join our Early Years community as well. As we embark upon our first Unit of Inquiry, Who We Are, we have carefully considered what types of experiences and environments might best support us with exploring the central idea Through Sharing Experiences in Our Community We Can Learn About Ourselves and Others.

In preparing the learning spaces for the children, we considered ways we might invite children to collaborate with the intention of exploring ideas around our classroom as a community. In the Early Years Centre, we share a strongly held belief that children have a multitude of symbolic languages with which they make meaning and demonstrate understandings. We value a kinesthetic style of learning and considered ways we might provide opportunities for the language of movement.

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An invitation to collaborate and connect through dance and movement with colourful props

In our back courtyard space, we have a sloping grassy patch where we set up some colorful fabrics attached to trees and fencing in an inviting display. We also provided some dancing scarves, music and at times different instruments with the intention of creating a whimsical space where the children could explore movement. We felt the natural environmental influences of wind, light and shadows would add another meaningful component to the learning experiences. This quickly became a popular area and we noticed the children were naturally drawn to running and dancing through the fabrics.

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Natural environmental influences like wind, light and shadowsadd an additional layer to children’s explorations

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The space was popular with the children who had previously established friendships as well as those new to our school. Many took great pleasure in making a game of running through the fabrics. There was much laughter, smiling and connecting. We were struck by the way a group of children who are new to our community interacted with each other in this joyful and physical way. Although there was not yet a common spoken language among several of the children, the language of movement was a way to get to know each other through a shared physical experience. The interactions in this space were poignant in that upon careful observation, we noticed that the children were moving with each other in very social ways. We wanted to explore that idea.

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We observed that there were several distinctive ways the children interacted collaboratively:

Hiding Together

One game that quickly emerged was hiding behind a piece of fabric attached to the fence. We know that children often seek out cozy, private spaces for a variety of reasons. It can feel comforting to have a secret space away from an activity hub. Even in a traditional playground space, many teachers have noted that they often find children rejecting the conventional equipment in search of a hidden leafy patch. The game that we observed began as one child experimenting with hiding behind the fabric. She was slowly joined by another and then another. The group was happy to be hidden altogether in a quiet space. They shared a physical closeness and at the same time were visibly developing a connection with each other. This same group came together in this way for the entire week.

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 Hiding together in a cozy nook

Twirling/ Dancing/ Imitating

Different materials  including dancing scarves and musical instruments were set out daily. The children quickly used the materials to twirl, dance and skip. We remarked how children’s movements often seemed like invitations to friendship. A child’s gaze toward another indicated an openness to companionship. We observed children mirroring each other’s movements as well as engaging in collaborative, orchestrated dancing. Again, we were struck by the way a shared kinesthetic experience served as a platform for relationship building. It was a way for individuals to come together and form a group in a very physical sense through the language of movement.

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Invitations to dance and move collaboratively led to an emerging sense of connectedness through meaningful encounters. These experiences support our learning goals defined in ICS’s scope and sequence by developing the idea that children should recognise the value of interacting, playing and learning with others. We want students to understand that participation in a group can require them to assume different roles and responsibilities and a willingness to cooperate. In this space, we explored these concepts in a very kinesthetic sense. Most significantly, we are reminded that there are many ways to know, to learn and to express understandings.

The child
is made of one hundred.
The child has
a hundred languages
a hundred hands
a hundred thoughts
a hundred ways of thinking
of playing, of speaking.
A hundred always a hundred…

From the poem “No way. The hundred is there.” by Loris Malaguzzi.

Translated by Lella Gandini

 

April 17, 2015
by Rajeshree Rao
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Creating a Dinosaur Museum

As part of our trans-disciplinary unit, How We Express Ourselves, we are inquiring into how we can create and share stories in different spaces. Our Early Years Programme has a strong emphasis on child-initiated inquiries based on the belief that children learn best when their interests are acknowledged as worthy of investigation. Children’s thinking is not only valued but supported and extended through the class community.

For some days the children had been playing with toy dinosaurs, building homes for them using wooden blocks and logs. Exploring this interest through drawing his ideas, Alex shared a picture of skeletons in a museum. He then posed a question, asking if we could construct a dinosaur museum in the class. His drawing and enthusiasm inspired the children leading to a shared class curiosity to discover more about dinosaurs.IMG_9928In order to share our thinking, and to ascertain what we already knew about dinosaurs and museums, we brainstormed, coming up with some ideas as to what we would need to make a dinosaur museum.

With books from the library, we were able to explore different aspects of the life sciences such as meat eaters, plant eaters, tall dinosaurs, feathered dinosaurs, etc. and sharing our theories of extinction. The children demonstrated an understanding of perspective in our class discussions that some meat eating dinosaurs were stronger than the plant eating dinosaurs. They felt that the plant eating dinosaurs would have feared the meat eating dinosaurs. These observations came through in their stories and drawings. We also explored earth science through sharing thoughts around volcanoes, and climate changes.IMG_9942Pic_0132In order to share our understandings through many different modes of expression, children created puppets, engaged in dramatic play and used materials such as clay and paints.IMG_0015IMG_0312IMG_0340Our visit to the dinosaur museum encouraged the children to think creatively. Our guide shared with the children that no one lived at the time of the dinosaurs and that what we know are only ideas as to how these creatures looked and sounded. This knowledge excited the children and  encouraged them to undertake research in order to support their theories and make their own conclusions. Acquisition of new vocabulary was embedded in this  inquiry with children including words like “enormous”, “extinct”, “paleontologist”, “ferocious”, and “fossilized”, as well as including names of dinosaurs into their conversations.IMG_0854IMG_0999IMG_0870Through story telling with puppets and shadow puppets the children were able to understand that people listen and speak to share thoughts and feelings. They were also able to express their ideas and emotions by making story books and drawings depicting dinosaur stories.IMG_0128IMG_0125 (2)Children were fascinated when they realized how big (or how small) some of these dinosaurs were! We compared the heights of dinosaurs using uniform and non-uniform tools of measurement, such as our bodies and wooden block. We checked if our collective height was more than the tallest dinosaur, further exploring mathematical concepts such as measurement and estimation  in our inquiry.IMG_1188IMG_1494Through communication, collaboration and negotiation the children were able to explore constructing a dinosaur museum together.Our successful opening of the Dinosaur Museum was the result of a variety of activities initiated by the children in the class.IMG_0031IMG_0118IMG_1973IMG_1976IMG_1850On the Open Day, the children shared their knowledge with their families about dinosaurs. Through story telling with props and self-created shadow puppets they were able to express their ideas and emotions.IMG_1914IMG_1109IMG_2028We asked the parent community to share their thinking and reflections on the dinosaur museum:

“A fantastic opening for your dinosaur museum!”  “You are very knowledgeable about dinosaurs and shared a lot of information!” “Wow!! Amazing, well done.”  “The children were incredible. A very high level of creativity!”  “I have learned a lot about dinosaurs from you!!”  “The dinosaur museum included all the important elements a museum should have: pictures, stories, fossils, eggs, dinosaur skeletons, performances and music. The children worked very hard together.”

Reflecting on our activities leading up to the open day, the children said: “I now know the names of different dinosaurs.” “To make the museum we had to share our ideas with each other and we had to work together.” “At the dinosaur museum we got to see how the bones looked and touch the footprints and T-Rex teeth.” “We know  that the Sauroposeidon was 20 metres tall and our classroom was only 3 metres tall. “The dinosaurs were much taller than our school.” “Some dinosaurs had mouth like ducks’ and  some with feathers to keep themselves warm or cool because they lived in the desert.”

Our exploration leading to creating the dinosaur museum and the open day covered a wide spectrum of skills. The children collaborated to suggest ideas for the museum; they researched dinosaurs by referring to library books and asking the museum guide; involved maths by comparing the height of  dinosaurs with the combined height of the children and used uniform and non-uniform tools of measurement; they enhanced their vocabulary with new words; they could express their ideas through drawings, puppets and self-created stories; giving flight to their imagination – a hotel near the museum would help the visitors to spend more time at the museum, without having to drive. A simple idea to build a dinosaur museum initiated by a child resulted in a major exploration for the whole class which was appreciated by colleagues and parents.

March 17, 2015
by Heidi Harman
4 Comments

Listening to Children’s Theories and Ideas About Our World

How do you know the wind is there?

Frequently perceptible, but often invisible, the wind can be a fascinating weather phenomena. Its mysterious nature can bring the languages of science and imagination together. When thinking about the question, ‘How do you know the wind is there?‘, the children‘s voices and illustrations were inspirational. They motivated us to explore the science of wind while relishing in the magical fantasy of it.

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We read many fictional books about the wind. A favourite was ‘Millicent and the Wind‘ by Robert Munsch and illustrated by Suzanne Duranceau. In the story the wind adopts a human persona and becomes Millicent‘s friend. We all particularly enjoyed the stories where the wind is portrayed as a living being with its own personality and thoughts, and some of the children felt motivated to create their own fantasy fictional tales and story pictures related to the wind. A strong thread, which ran through many of the children’s stories, was the power of the wind and its sometimes unforgiving nature.

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Pippa’s drawing to illustrate that the wind is there.

“Trees are windy. The leaves blow off. The tree is bending. See her hair like that? That’s the wind.“ – Pippa

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Jacob’s illustrations of how an artist may convey “twisty wind that goes round and round like a hurricane”.

To begin to learn about the power of wind, we have been experimenting and playing with wind in the classroom. We observed how the fast moving blades in electric fans generates wind and how we can produce a gentle current of air by blowing through straws. We had an amazing time trying to paint using wind from different sized fans, hairdryers and by blowing through straws. It was interesting to observe the children quickly learning how to gain a certain amount of control of these different types of wind forces either by pointing the equipment in the desired direction or by holding them closer or further away from the paint.  We also tested to see if any of these winds were strong enough to make certain objects fly across the room.

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Our experiments led to the question, “why is the strong wind from the hairdryer more successful than the strong wind from the fans when blowing the paints across the paper?“ Some theories included:

“It‘s easier to hold the hairdryer close to the paint.“Thomas

“The hairdryer is stronger. I mean the hairdryer wind is stronger.“Jack

“It‘s smaller, that‘s why it‘s better.“Wille

We now have an anemometer, which we can use to measure the speed of wind. This may help us to discover whether the wind from our hairdryers is moving faster than that from our fans.

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While continuing to consider the question, ‘how do you know the wind is there?’, we decided to construct wind chimes to hang outside in our Early Years courtyard, so that we could look and listen to observe and hear whether there is a wind causing them to move and make different sounds. Everyone brought in various re-cycled materials from home to make our wind chimes. These objects were carefully selected for their beauty and/or interesting form or for their ability to make a sound when moving or knocking against another object. Our completed beautiful outdoor wind chimes, are a perfect way to help us know whether the wind is present.

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After reading information books about the wind and the various forms it can take, we researched some more on the internet, and we particularly enjoyed listening to the range of sounds different types of wind make. We focused on the noises created by a strong wind, a hurricane, a gentle breeze and a tornado. While listening to these different sounds, we each had ideas about how the winds look and make us feel. Letizia said that, “The hurricane sounds like a dragon. It sounds like a dragon screaming. The tornado is a bit like a train.” Pippa liked the gentle breeze as, “It makes me rest.” As we concentrated on each wind noise, we made marks or drew images on paper, which we felt represented each sound. Some drawings were our ideas of how an artist may convey wind, while others were illustrations inspired by the sounds. Afterwards we each put our completed drawings together and made them into individual wind books, which depict our unique interpretations of the different wind sounds.

Building on the children’s interest and reflections about wind sounds, we took it a step further during a music session. The proposal was to create wind stories with musical instruments. Our hope was that the musical materials would provide another way for the children to express their understandings. A group was invited to explore different types of sound makers and share ideas about how the wind might tell a story. The children shared and developed their ideas with each other.

Ellen chose scarves and shared, “I’m doing ballet wind.” She then elaborated by adding, “The day the wind was really strong she pushed us away.”

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 Sharing a story about “ballet wind”.

Jacob chose a black scarf and used it to represent “a scary black wind.” He then blew into a tube and suggested this sound could be the “hurricane roaring like a dragon.”

Lily chose some triangles and told us, “That’s a gentle breeze. It’s only winding.”

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                    Exploring sounds to create musical wind stories. 

When discussing the different wind noises, opinions were mixed as to which was our favourite sound. Some preferred the calmness of the gentle breeze rustling the leaves, while others loved the excitement of the roaring tornado or the screeching hurricane. We now have a graph in our classroom to document and display which wind noise we each like the best. We have recorded each wind sound on separate recording devices, so that visitors to our room can also listen and then add their preference to our graph.

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Jacob chose to explore the science of tornado winds further and read some information books about tornadoes and how they are formed. Jacob then drew his own picture representing how a tornado is formed. After discovering that both hot air and cold air are involved when a tornado forms, Jacob wondered whether he could cause his picture to turn into a tornado! To test his theory, Jacob placed part of his drawing on the warm light of the overhead projector (in the ‘hot air’) and left the remaining part off (in the ‘cold air‘). “Look! My picture will turn into a tornado!“ Jacob cried.

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Our class inquiry into both the science and mystery of wind is still on-going. We have observed the children continuing to choose to look at wind-related books and including the idea of wind in their imaginative role play games. Unexpectedly the concept of feelings was explored fairly deeply during this project. This was particularly evident when we considered the different emotions wind sounds can evoke and when the wind assumed a character in our fictional stories.

Text and photographs by Heidi Harman and Andrea Mills.

May 12, 2014
by Rajeshree Rao
2 Comments

Exploring Wood Work with Early Years Children

As part of our transdisciplinary unit, How We Express Ourselves, we have been inquiring into ways we can communicate our ideas and feelings through play. The children have been building their understanding, through many exciting experiences and interactions with each other.

In EY2 RR the children enjoy construction activities and can be engaged in this for long periods of time. For the last few weeks the children have been working with wood, which has enabled them to communicate their ideas and enhance their creativity.

We initially set out pre-cut wood shapes, glue and toy tools as provocation for the children to discover what each tool could be used for and how they could manipulate them. The children visited the school’s tool room where the caretakers explained the safe use of the tools and let them have some pre-cut wood pieces.

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The children’s ideas were amazing. They varied from helicopters to tables, chairs and many more wonderful three dimensional creations.

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Once the children were comfortable using these toy tools, we brought in real tools such as a hammer, nails, a drill, a screw driver and some balsam wood. The children were able to explore these with adult supervision.

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After the children had explored the tools, these were their comments:

  • Walker: “I liked using the real tools because it was fun. When I used the drill I could see it made a hole and I liked pulling the nails out with the pliers.”
  • Wren: “I liked using the real screwdriver. I got to twist with it and I like twisting. I liked listening to the sound the real instruments make.”
  • Nicolas: “It was more fun using the real tools. It made me feel like a big boy. I liked using the drill because it made holes and I could put a screw in and then use the screw driver”.
  • Amy: “I liked banging the nails and using the drill to make holes. With the toy tools we had to use the glue to stick the wood together but now we used nails and screws”.
  • Annabel: “I liked the real drill because I could turn it round and round and it made a hole in the wood. With the pliers we could pull out the nails”.
  • Ffion: “With the drill we could make holes in the wood and with the screw driver we could make the screws tight in the holes. I liked to hammer the nails into the wood”.
  • Noemie: “I liked to make holes and put nails in”.

Woodwork provided a unique learning experience which the children really enjoyed. This activity required their full engagement and concentration over a period of time. It helped in developing their creative thinking, maths skills, hand-eye coordination, language and vocabulary.

 

 

March 27, 2014
by Rajeshree Rao
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Child Initiated Inquiry: Building Bird Nests.

In our Early Years Programme there is a strong emphasis on child-initiated inquiries as we believe that children learn best when their interests are acknowledged as worthy of investigation. Children’s thinking is not only valued but supported and extended through the class community.

Walker, in our class, brought in a picture of a nest he had built with his family. This photograph inspired the children and they were curious to discover more about nests. Walker’s enthusiasm and experience, as well as books Ms Judith gave us from the library, raised the children’s interest in nest building.

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As a class, we discussed the reasons birds need nests and building materials.

  • Walker: Birds build nests to protect their eggs.
  • Alex:      They need a home to lay their eggs.
  • Ffion:     Eggs stay warm.
  • Nicolas: To hide the eggs from bad animals and birds.
  • Amy:      To feed them.
  • Wren:    To take care of the babies till they grow.

Materials used:

  • Walker / Alex:      Sticks and bark at the bottom to make the nest strong.
  • Edward:                  Leaves to keep the nest soft.
  • Annabel / Ffion:  Dry grass and moss to cover the eggs to keep warm.

We used our Waldkinder exploration to collect materials, which the children had decided they would need. We were very fortunate to spot a little nest being built on a tree on our way to Waldkinder. This helped them to closely observe the materials used and the shape of the nest.

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The children engaged in collaborative dialogue to agree on how to use the materials.  They were observed not only expressing their ideas, but in addition being receptive to the ideas of others. They built nests and decided together where within the school grounds they would like to place them.  From their learn they are keen to take some action; by taking care of the birds by regularly putting out bird feed or bread for them.

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This child initiated inquiry helped in connecting the children with nature. This experience is part of our yearlong Unit of Inquiry ‘Sharing the Planet’.

 

March 3, 2014
by Rebecca Smith
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Waldkinder: Explorations in the Forest

 

Each week we visit the forest by our school for our Waldkinder, or ‘forest children’ explorations.

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This week it felt as if the winter had melted away. We spent a perfect morning exploring an area of the forest that we had not visited before. There were tall trees and a rushing stream. The children experimented with ‘force’ by floating leaves and holding sticks in the flowing water. We collected big sticks and worked together to carry them. We dragged the sticks through the squelchy mud to make marks. 

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Some children recalled previous experiences that we’ve had in the forest. They collected sticks and built ‘fires’.

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In our ‘Sharing The Planet’ Unit of Inquiry we are wondering about how animals and humans interact. On this day we searched for animals and insects in the forest. We found some earthworms in the soil by the stream. We are now planning to research to find out more about worms.

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Photographs by Rebecca Smith (ICS EY1 Teacher)

 

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