Unit Of Inquiry: How We Express Ourselves October – December 2015
Background: Children connected strongly with teacher sharing of experiences in Iceland. With the intention of building on this interest through the lens of our UOI How We Express Ourselves, various learning proposals were explored.
Returning to school after the break, we met for our morning meeting to share stories of the places we visited and adventures we had over the autumn holiday. Teachers modelled how to recount orally by using gestures, actions, body language and words to share an experience of visiting Iceland. We showed the children images of the dramatic landscape, and shared about a favourite experience, visiting an Icelandic Forest Kindergarten as part of a professional development experience (Images above: Iceland and (Víðivellir) Kaldársel Preschool, October 2015). The adventure included joining a group of young children on a journey across lava fields, foraging for berries and magical treasures in the moss undergrowth, as well as venturing down into dark caves and cracks formed by volcanic eruptions. These stories captivated and excited the children. From discussions, we realised that the children were very knowledgeable about volcanoes, and that they were interested to find out more about these powerful occurrences.
In order to take their initial interest forward, a small group visited the library. Ms. Judith showed us how to use the catalogue and numbers to find books on a particular topic. We checked out many nonfiction books about volcanoes and Iceland, which we were able to use for research. The metaphorical eruption of interest surrounding volcanoes quickly spread through EY2. Children from other class groups came into the Language Arts Atelier to share their knowledge, to read and research the books and ask questions. We also used technology to view short National Geographic documentaries. The children found the video clips of erupting volcanoes highly engaging and exciting.
Through our learning experiences we built a vocabulary list of keywords related to volcanoes. One keyword that we selected was ‘Lava’. We made a connection that lava has the same sounds as in our friend Lola’s name. As we continued our research we added important words to this list. In creating the word list the children have participated in modelled and shared writing experiences as well as observing teachers’ writing. The children experimented with symbols and letter writing to label diagrams, pictures and collage artworks. We talked and shared about our work to help other people to understand and enjoy them.
Through informal conversations, small group discussions, researching in nonfiction books and viewing of National Geographic videos, the teachers gathered data about the children’s prior knowledge.
Listening to Children’s Voices and Identifying Threads of Interests: Scientific Processes, Power and Sound
The children engaged in much dialogue and exchange throughout the research. As we listened to their ideas and thinking it became clear that there were several threads of emerging interest that we wanted to explore further.
Much of the resource material we explored from the library and online included scientific phenomena as well as images of scientists investigating and making discoveries. As the dialogues below illustrate, the children were intrigued by scientific processes as well as the role/job of scientists.
Maxi: “The five people are going to put the fire out. Aaron knows they come if they stand at the volcano around the crack it and fall into the lava. Why does the lava out up?”
Izumi: “Maybe the pressure?”
Aaron: “It wants to get out of the storm and it explodes if you put water in a volcano it will then even more bad. See, I told you they can live in volcanoes (scientists at volcano footage).”
Mouza: “The volcano is erupting.”
Maxi: “You have to (be away from) the rocks to be safe.”
Finlay: “Volcanologists are doing research for volcanoes.”
Mathilda: “How does the lava come up to the volcano?”
In order to support the children’s thoughts around ways scientific theories can be developed as well as expand their thinking about scientific wonderings in real life contexts with scientists, we took several steps. First, we added a science lab to the dramatic play area with magnifying glasses, samples of volcanic rock, crystals and more. Interested children visited the ICS High School science lab to learn more. We also invited Professor Dr. Orlando Scharer to visit the EYC and share about his job and his laboratory as well as answer the children’s questions. In response to questions about how to be a scientist he shared that he felt it is very important to have curiosity about how things work and to be open to new ideas.
Another thread that came through strongly in the children’s narrations was the allure of what they perceived as “powerful.“ The children shared these impressions:
Owen: “These are the bullets that shoot out the volcanoes the white thing is the explosion.”
Jack: “The hottest thing in the whole wide world.”
Paolo: “This is lava that shoots up from the volcano and it’s really fast.” (translated from Italian)
Jack: “Very fiery!”
As we listened to the children discussing their ideas, words connected to the bigger ideas of power became important to them.
We developed a new list of vocabulary words which we heard repeatedly from the children.
The Atelier of Visual Arts: In Dialogue with Colour
It was felt there was a possibility to add another layer to the children’s thinking about power in ways that stretched and added to their scientific interest in volcanoes. The aim was to propose ways for the children to creatively express and build on their identified ideas about “power” through multiple symbolic languages/mediums.
Mixing Powerful Colours
With the goal of building on the children’s interest in and observations of the stunning colours of lava in books and video clips we planned for a variety of experiences:
One proposal in The Atelier of Visual Arts was an exploration of “powerful colours”. The children were invited to consider if colours might convey properties of power. We set up a paint mixing experiment with opportunities to create new colours. The children used new vocabulary, well-developed language as well as scientific thinking in these interactions. There was a high level of peer engagement as the children co-constructed group understandings of what properties constitute a powerful colour.
Some reflections made by the children:
Billy: “I made yellow, yellow, because of the sun ‘ton ilio’ the sun.” (translated from Greek)
Nikolai: “Maybe red, because red is like a volcano. Turn into light red. I did do it really fast. ‘Captain America Red’.”
Kasper: “Red because the red can show lava. It is powerful, it be in lava. First use red, then pink, then yellow, next white. Now this makes ‘dark weird pink’. Coconut milk drink. Could we add this white. Yummy and tasty coconut milk drink. It is super good and super tasty.”
Tuur: “‘Strong’ colour because it’s very dark. I started with orange. I could open them. I add red. I did some yellow cause it makes orange. Add, I think it is pinky red. What if I do a little bit of pink?”
Taking it Further: Scientific Thinking and Experimentation with Potion Mixing in the Classroom Laboratory
We wanted to continue to build on the children’s interest in scientific processes and also provide opportunities to test out their theories about colour mixing in another context with an added layer. With this aim in mind, the classroom was reproposed as a laboratory to include potion making. Professor Orlando brought lab supplies like test tubes which we included in the lab space as well as glass jars, food colouring, eye droppers, water, measuring containers and clipboards with writing materials. The children were invited to collaboratively create colourful potions. This became a popular work space in The Atelier of Visual Art with frequent visits. We observed much curiosity, collaboration and creative thinking in the development of various potions. The children were innovative with their use of language in naming the potions.
Exploration with Wire, Sculpture and 3 Dimensional Representations of Thinking
We also added wire and collage/recycled materials to the The Atelier of Visual Arts as an invitation to represent ideas connected to power with the intention of providing a space for additional perspectives with new and different resources. Interested children used wire to create powerful sculptures.
Looking at Powerful Colours through the Lens of Light
The light table included diverse materials and textures to create and experience collaboratively. The children were invited to interact with these resources and each other. Interested children worked together to create designs.
The Language of Sound
Another thread which was ever present for the children was the importance of sound. Throughout the encounters early on with images and videos, the children creatively vocalised their interpretation of volcanic sounds. It was proposed that we might record these and the children were enthusiastic. After much experimentation with creating sounds and listening, a sequence of volcanic sounds created by the children was put together. The children also commented and critiqued extensively on the use of sound, sound effects and music in the video clips they viewed demonstrating an understanding that sound can convey messages and add meaning.
The Language of Dance and Movement: Power Posing through Mining, Dance and Photography
The children were also invited to explore through the language of movement. We played a game where children mimed the act of lifting heavy and light objects. The children interpreted the task in different ways and shared their ideas about ways bodies can communicate actions and feelings with a particular focus on powerful movements. A part of one classroom was reproposed as a movement area with mirrors, a visualiser and simple black and white scarves and fabrics. It became a space for the children to freely explore interpretations of powerful movement.
Another component to this exploration was documentation through the language of photography. Initially, the teacher acted as the photographer and documenter of children’s powerful poses and movements. The children were highly engaged with the printed images of themselves and their peers with much reflective dialogue about the power posing. After some time though, the children were invited to take an active role behind the camera lens. At “Special Someone Morning”, the children captured their families’, teachers’ and each other’s poses.
To extend our explorations about “power,” we proposed an experience which would incorporate the power of the mind and body; the practice of yoga. There was much background knowledge given the numerous encounters and mediums in which the children had previously accessed to explore these ideas throughout the term. To begin the yoga sessions the children were invited to listen to some tranquil music, use a mindfulness bell to settle their bodies and minds and then to explore different poses with yoga cards. The children were excited and motivated to try out different positions and many were open-minded and risk takers with embracing new ways to move their bodies. The children were dedicated to the practice and highly motivated to create their own yoga poses. There was much joy throughout this experience and children worked collaboratively in a kinesthetics mode to develop unique poses. They used new language in labelling their pose for our own version of a yoga card game.
From our perspective, the experiences that have been proposed throughout this inquiry have profoundly supported the children’s inquiry into ways that imagination can inspire us to create. We could not have predicted that our teacher sharing of experiences in Iceland would be something the children connected with so strongly. The proposals and projects are meaningful investigations into ways we can express ourselves; our thoughts, ideas and feelings, through multiple symbolic languages including art, movement and music. We observed thoughtful interactions where collaboration and communication has been overwhelmingly abundant. The time and experiences together have invited us to learn more about each other and to grow as a group. The many encounters required extensive mathematical, scientific, artistic, physical and language skills, all of which were woven throughout the experiences. Throughout this learning, the children have been active protagonists in building their ever expanding understandings.
Compiled by Rebecca Smith (EY2 Teacher) and Andrea Mills (Atelierista) in collaboration with Christina Ntagkouli (EY2 Teaching Assistant)