ICS Early Years Center Blog

Inter-Community School Zurich, Switzerland

March 8, 2016
by Andrea Mills
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How The World Works: Developing Theories About the Winter Forest Through the Arts

The children in Early Years 1 have a strong relationship with the nearby forest as we spend weekly time exploring there. This natural ever changing setting provides countless opportunities to develop and explore theories connected to our unit of inquiry’s central idea that The Earth’s natural cycles influence the activity of living things.

The Language of Photography

With the intention of inquiring into natural cycles and patterns of behaviour in living things, we took some time to observe the children’s self-initiated interests during forest explorations. One morning, it was proposed that the children use cameras to take photographs of whatever they found compelling. In this way, the language of photography became a tool for the children to demonstrate their interests by sharing what they were drawn to through the literal lens of the camera. It quickly became clear that trees were a strong source of fascination and possible entry point for this exploration. OLYMPUS DIGITAL CAMERA

(Photo by Felipe Early Years 1)

Back at the classroom, we met, shared the images the children had captured as well as the children’s ideas about the trees. One child remarked that, “It looks like the branches are talking to each other.” The children were engaged with this idea and we wondered together what the trees might say if they could indeed talk. As a team of educators, we found this a powerful and significant approach to making sense of their images of winter trees. In their poetic way, the children seemed to be giving a “voice” to the trees.

Emma: “He’s saying Daddy or Mommy or baby.”

Felipe: “Maybe it’s a storm.”

Neela: “Like he says his clothes are falling down like he’s so skinny and spiky because there’s no leaves and maybe he wants to take a bath.”

 

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(Sharing ideas about the children’s tree photographs)

Through their words, the children expressed some discoveries about ways trees are affected by winter in our local context including leafless branches and windy storms. The children were given opportunities to explore their initial ideas with diverse materials and through multiple symbolic languages. We wanted to support the children with their exploration of the concept of causation and their wonderings around Why is it like it is”?

The Language of Clay, Sculpture and Design

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Typically, journeys to the forest include bringing back some natural treasures like branches, greenery, pinecones and acorns. Back in the classroom, we proposed these materials to the children together with clay. Some children chose to recreate the forest as they experienced it. Others represented the stream with clay and yarn. The nature of the work was highly collaborative with rich discussion and interaction. Amelie shared, “It’s the water when it’s moving.” We noticed that several children incorporated sound into their narrations. The children expressed their impressions of the tree sounds with the words “swish,” “bwaaaa,” “shhhhhhh” and others. Many used shivering body language indicating they had made a connection about the cold, windy weather and how it impacts them, supporting a developmentally appropriate understanding that we live in a world of interacting systems in which the actions of any individual element affect others. 

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“These are the tallest trees talking and they’re connected.”  Jackson

Graphic Representations of Talking Trees IMG_4755

(Observing, thinking, drawing and narrating about “the talking trees.”)

The children’s initial theory about talking trees was both beautiful and significant. The reproposal of this idea through graphic representation provided a way for the children to build the understanding that in art people make choices to construct meaning about the world around them. As the children drew they narrated:

Emma: “This is a storm and the tree is falling down in the storm.”

Neela: “Like a little girl was walking down the street and she heard the crunchy things and then saw the tree and the bird and she loved it.”

Felipe: “It’s falling down like that one.”

Billy: “These are all the leaves. They’re twirling only at the bottom.” 

Throughout all of the proposals, the children’s narrations, work (photographs, videos, sculpture) and previous ideas were presented back to them. During meeting times and before experiences with new materials, the children were given an opportunity to remember and reflect as teachers shared the work that had happened previously. In this way, the adults supported a deepening of thinking by acting as keepers of the children’s ideas and theories always supporting with extending connections and making learning more meaningful and relevant. 

 

The Language of Sound

The children had already identified sound as an important component of the winter forest. It was proposed that we record some sounds together that might be significant for the children. We shared the recordings back at the classroom and the children shared their reactions:

Jackson: “It’s a crunch, crunch, crunch” (walking in snow).

Felipe: “I hear the river song.” 

Leila: “You can hear the snow.”

The idea that the forest has sounds particular to a season represented another way of knowing and making sense for the children.

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(Exploring the sounds of the stream in winter)

Consolidating Ideas through the Language of Dance and Movement

Throughout these experiences there seemed to be several threads that emerged for the children. The ideas of storms and wind were strongly represented in the children’s drawings, narrations and sculptures which may reflect the children’s own experiences with winter in Switzerland. Sounds of the winter forest, particularly the sound of snow, as well as the “voice” of the trees were other points of interest and exploration. It was proposed that the children might explore these ideas with dance and movement. With a particular focus on the children’s observations about sound as well as the “voice” they had given to the trees, we wondered together how the winter forest might move or dance. 

Amelie: “We would have to be really high” (demonstrating with her arms and tippy toes).

Leila: “We would go fast.”

Ridley: “The snow might be quiet.”  

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(Using movement to represent understandings about the winter forest)

The children joyfully used their bodies to dance and move as they perceived the trees might with many stretching high, creating a storm by gracefully shaking the dancing ribbons and making blowing movements. Their discoveries about sound and movement to express creative ideas were pathways for the children to make sense and communicate understandings in a kinesthetic way. The children gave each other feedback when we viewed video footage of these experiences. One child commented that her friend “was storming very fast”.

The Arts as Symbolic Languages to Build Understandings

Throughout this inquiry the children used the arts as symbolic languages to build understandings about the natural cycle of the winter forest. The children’s strong relationship with the forest was key to supporting their theories about natural phenomena in a relevant way. As they were given opportunities to express ideas with clay, drawing, sound and dance, they were inquirers and their ideas evolved in a transdisciplinary manner.

Through listening, speaking and sharing their thoughts, observational skills developed. The children had a sense of agency as they were empowered to make choices about their work and interactions supporting the understanding that art has meaning as well as potential to support with making sense of ideas. The arts became a powerful vehicle to explore scientific concepts.  The understanding that art has meaning as well as potential to support with making sense of ideas was very present in this exploration of  natural phenomena. The theories, ideas and discoveries that came from the children will be explored further as we transition into spring supporting the children with developing an understanding that the earth’s natural cycles influence living things.   

“We are – and we must be convinced of this – inside an ecosystem: our earthly journey is a journey we make along with the environment, nature, the universe. Our organism, our morality, our culture, our knowledge, our feelings are connected with the environment, with the universe, with the world. And here we can find the spider web of our life.”

– Loris Malaguzzi

This project was collaboratively supported by Andrea Mills, Early Years Atelierista, Aisling Broderick, EY1 Teacher, and Lisa Rosado Darham, EY1 Teaching Assistant 

 

June 28, 2015
by Rebecca Smith
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The Atelier of Light: Exploring Relationships between People and Spaces

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The Early Years classes have been exploring the relationship between spaces and how people use them as part of our unit, Where We Are in Time and Place. Throughout this inquiry, the children had many opportunities to build understandings about how people use different spaces as well as our responsibility in sharing spaces with others. We chose to focus on the context of  different atelier/ studio spaces offered in a free flow environment. These spaces were open to all of the early years children who were asked to make a choice about where they wished to spend time at the beginning of each morning.

In the Atelier of Light, the children were offered time and space to carry out their own research into various aspects of the phenomenon ‘light’. The space was designed for interactive inquiry and for individual and group experimentation. The environment was organised around light sources, Light boxes, OHP (Overhead Projector), LED strings of lights and technological tools such as Visualiser cameras and an Interactive Whiteboard, which were paired with a variety of tools and materials. The invitations were presented in visually pleasing ways and an atmosphere of intrigue and beauty was ever present. The inviting workspaces created the drive for exploration and construction of hypotheses and theories.

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We observed and documented how the children operated in the spaces, how they responded to changes in the environment and how newly introduced articles altered, changed or enhanced their play and research. An example of changes to the physical environment, was an increase in the number of light boxes from one to three. While the children were always captivated when attempting to build taller structures, we found that with the addition of the bigger work space the children’s structures evolved from being built on a single box to become bigger and elaborate designs that covered across more than one box. Adding the LED strings of light were a popular addition to The Atelier of Light. The children’s explorations transferred from working with the materials and light on flat surfaces (light boxes and OHP) to exploring light with their whole bodies. Aaron made a discovery about the light from the LED strings, “It goes through your fingers,” Aaron. “Does it go through my head? Can you look?” asked Tuur. A new question which required further research was formed.

Exchange and comparison of viewpoints was valued in this space. Sometimes children chose to research alone, and later shared thinking with peers and teachers. Sometimes they reported back in a whole class meeting, enabling the children to investigate the concept of light and the role of space and environment from different point of views. Again, we noticed the children responding to the changes to the environment. The addition of a second overhead projector, placed next to the first one, encouraged children to work in parallel or join together to create collaborative designs across the two work surfaces. The environment encouraged the children to discuss their thinking, plans and processes. Additionally, the thinking created in this space embraced imagination, promoted narrative as a form of interpretation and explanation, and offered interaction with scientific forms. The children were invited to make connections to this unit’s central idea about ways we use space in the context of the Atelier of Light. It became clear that children built understandings about ways to make artistic and scientific discoveries in this space through the lens of light.

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By adding the Visualiser Camera to the space the children were able to see themselves at work in the learning environment in real time. This offered the children an interesting way to reflect and assess how they operated and learnt in the space. Some reflections about changes made to the learning environment of The Atelier of Light;

“It looks much cooler like that (with the new setup.) (He turns the lights on and off at the light table) I like just the LED lights on.” Aaron

“I want to go in this classroom because there’s light. Light table.  That is why. I like that it is dark.” Owen

After spending the morning sessions in The Light Atelier Daisy asked, “Miss Smith, can I have snack in your room? I like the light boxes. I like the light when they shine.” 

Izumi explained, “I like that I can see the different lights and different colours. We make decorations (by hanging the CDs) on strings. If you put it (a CD) next to the light it turns to shine rainbow-y (colours).”  

“I like to play with light. Then (I) make something beautiful with the blocks on the light table. When it is dark, I can see much better the light,” shared Eléonore. 

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‘The wider the range of possibilities we offer children, the more intense will be their motivations and the richer their experiences.’

Loris Malaguzzi

Photos by Rebecca Smith

Text a collaboration by Andrea Mills and Rebecca

June 25, 2015
by Andrea Mills
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Arts Fest: Exploring our Group Identity, Creating and Exploring with Found Natural Materials

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The forest is a special place which has become deeply rooted in the identity of the Early Years Centre learning community. Each class spends weekly time dedicated to exploring the outdoor environment where children are able to learn with and through nature.

The focus of the school wide Arts Fest this year, “Collabor-Art” was an opportunity to work together across the Early Years Centre with children, teachers, as well as the grade eleven students who supported us with the documentation of these experiences.

Our aim was to explore the sharing of thinking that the children have around the time that they spend in the forest. We took time to listen and to identify their emotions, as well as observe their explorations while engaged in outdoor experiences. There was much dialogue during forest encounters as well as connections made through reflections back at the classroom.

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Some children reflected on how they might feel in the forest while others considered the types of sounds they might experience.

Masha: “I heard birds, maybe little birds”

Jake: “Peeping and clacking”.

Naomika: “Sounds like different kinds of birds. Yeah, I hear, one goes, cheep, cheep, one goes cheap tweet tweet. Like a blackbird, a crow, a woodpecker”.

Eleonore: “We could make a nest for the birds. They’re chirping”.

Izumi: “I feel happy (in the forest) because it’s dark and we can play there”.

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The auditory component of the forest environment emerged as an important theme for many of the children. Some groups visited the forest in different types of weather to observe and experience how rain, wind and other natural forces might effect the way the forest sounds. The grade eleven students recorded and videoed these observations.

Children also reflected on how they like to spend time in the forest.

Alex: “Building dinosaur dens with my friends and also balancing on the big log and jumping from the log. I also liked when we built a bridge on the stream”.

Adeline: “I like building little tents so we can have our snacks inside it. It’s so fun to carry the big heavy sticks to build the big tent”.

Oliver: “I like building a tent and also a bridge on the stream. I like to make a rainbow with sticks in the forest”.

The children’s comments expressed their clear ideas about how they like to make choices about spending time in the forest. They demonstrated strong understandings of opportunities in the forest setting as well as a sense of personal agency.

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The multi-sensory and beautiful woodland setting inspires a sense of wonder and creativity. During our visits leading up to the arts days, we listened for the rich dialogue, meaning making and theory building of the children.

Charles: “My boots can stick on the surface (of the wet, squelchy mud)”.

Wille: “There is a baby goat near my home. I’ll feed him with these flowers (indicating the dandelions and buttercups he has picked)”.

Lily: “These flowers are for my clay forest. The purple are the most beautiful ones because they love the sun. They love everything. Can we bring clay to the forest? I want to make my clay forest now. Look how many flowers I have! It’s going to be a true forest”.

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As a teaching team, we spent time considering our observations and discussing how we could re-propose what we had seen in the forest back to the children upon their return to school.  We had noticed previously how the children enjoyed bringing  items back from the forest and placing them in the courtyard.  Taking this interest in mind, wooden boxes were provided, and we invited the children to leave their forest treasures with the growing collection of natural materials following each forest visit. Soon we had abundant pinecones, grasses, rocks and sticks of all shapes and sizes.

Creating Day

The re-proposing of the interests that the children had demonstrated in the forest provided an opportunity for the creation of art installations reflecting our connection with the forest. The Early Years Centre classes collaborated with some Grade 11 students, who documented the process with technology, including stop motion video of two installations, a slide show of a photo compilation and a film.

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https://vimeo.com/131404930

Password: ArtsFest

Key Points of Interest

In the forest, we observed that some key points of interest emerged. The children engaged in wrapping, threading, creating designs/structures and noticing details in different ways. The invitations to revisit these themes in a different context back at school provided the children with opportunities to build on their ideas and create deeper shared understandings. There was a sense of synergy as the group collectively worked toward larger creative goals connected to our group identity.

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Celebrating our Work and Identity with Families

After the Creating Days, the children were highly motivated to share about their experiences. We invited families to a special evening of forest inspired installations as well as a walking visit to our forest space. The classes prepared delicious snacks including guacamole, homemade bread, fruit kebabs and more. We noticed a pride and commitment to describing the project and the ways the art and forest were present throughout the Early Years Centre.  The children eagerly showed their families around our shared spaces and it was a beautiful evening of shared connection built around the children’s work and our identity as a community.

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Text by Andrea Mills

Photos by Rebecca Smith, The Early Years Centre team and ICS Grade 11 students

Videos by ICS Grade 11 students

June 1, 2015
by Andrea Mills
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Empowering Students as Researchers

EY1 enjoys a weekly collaboration with some students in Grade 7. Sometimes the older students read books to the younger children. Other times, the students collaborate on learning experiences including construction, clay and gardening. They have also helped us to maintain our outdoor spaces with community service work like sweeping and cleaning.

As one might imagine, there are many benefits to mixed age groups. The older students often embrace a leadership role and the Early Years children enjoy the special relationships that exists with those who, though not adults, possess some literacy and other skills that they often seek out from teachers and other adults in classroom life. This weekly contact also builds a caring community with a sense of connection beyond grade levels.

gr 7 light 2Grade 7 and Early Years students collaboratively exploring color, texture, shape and design

As an IB school, we are consistently asking students to be inquirers and researchers. We value child-initiated questions and encourage students to embrace a sense of curiosity about the world. We teachers are always seeking ways to hone our own research skills in the context of student learning. In early childhood, this often means challenging ourselves to be attentive listeners, keen observers and competent analysers. Children have become accustomed to educators, clipboard in hand, recording the dialogue, facial expressions and social interactions that happen during play and other learning experiences. Children learn best and make sense of the world in contexts that make sense to them.  Naturally, documentation of play narratives is an important part of our research into what and how our students are building understandings.

As part of our collaboration, we proposed that the Grade 7 students might join us as researchers in documentation. On this particular morning, the class was spending time in the Atelier of Light, exploring the color blue through light, texture and shape. Armed with the research tools of notebook, pencil and a commitment to observing and listening, the older children eagerly agreed to spend a morning recording their observations the EY1 children.

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Notes taken by Grade 7 student: 

Castle, pirate ship. Akivia likes knights and castles etc. Jake likes pirates. Bottle caps = stars. Paper = sky/water. Paper and bottle caps = shooting star. A house. Rocket ship. They are building a castle and they add some details to the castle. Some of the kids are putting shiny things on the light surface.

The students took their role seriously and carefully took down notes and observations about the children’s play and encounters with materials. We noted that some students naturally took on the role of documenter while others supported the children’s work. We were impressed with the commitment the older students demonstrated to finding out about the play narratives and explorations. Their observations included details about materials children chose, ways they used resources as well as interpretations of theories.

This collaboration is an example of one way we actively seek to build a culture of research in our learning community. As the teachers and older students inquired about and documented the younger children’s theories, the EY1 children learn that their ideas are taken seriously. Play is the powerful work of childhood and our message is that theories are worth revisiting and expanding. We found the younger students were particularly motivated to articulate about their learning during this collaboration, possibly because they found the Grade 7 students’ interest very motivating.

The social context of learning has a profound impact on the way children construct understandings. In our school community we are committed to creating an environment where relationships are central to learning. By empowering the grade seven students to take an active research role in the Early Years class, they embraced a shared sense of ownership of the important play/work that happens in the classroom.

Photographs: Rebecca Smith

Text: Andrea Mills

January 29, 2015
by Rebecca Smith
2 Comments

Exploring our Senses through Play Dough

When investigating into our unit of inquiry ‘Who We Are ‘, we explored about ourselves through the Central Idea, “We use our bodies to learn about the world.” The children were invited to participate in a variety of  learning experiences that encouraged them to wonder, explore and build understandings related to the different parts of the body, the five senses and how we can learn through using our senses.

The exploration of play dough by the children in EY1RS was an experience that the children came back to re-visit many times throughout the inquiry. In order to support and develop the interest and wonderment about this material, changes to the play dough were considered as a provocation to further exploration. Engaging the sense of smell, the play dough began to yield different aromas of essences, scents, herbs and spices. Our sense of sight was stimulated through the addition of natural colours and dyes, with sensory exploration also being awakened through the addition of olive oil and jelly crystals.  This slowly changing and transforming material, simple in its initial form, repeatedly engaged the children’s senses through play. 

Making play dough engaged all of our senses

Sense of Sight

The children used their sense of sight to gather the equipment and and measure out the ingredients. It was also required to observe changes in the mixture as the recipe was followed.

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Sense of Hearing

It was important to listen to the directions to be able to follow the recipe. The children used their sense of hearing to listen to the questions and ideas of both their peers and teachers as they worked together to make and play with the play dough.

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Sense of Smell

The children used their sense of smell to test and compare the various flavours or scents that we added to the play dough, these included citrus fruit juices, jelly crystals, olive oil, herbs and spices.

P1330090 (1)P1310091When working with the cinnamon flavoured play dough the children were inspired to cook a variety of “cakes”, “cookies” and other edible delights. These treats often required baking in the Home Corner oven.

Tuur explained that we added the spice “to make mine smell yummy.” He encouraged other children to use their sense of smell to test smell of the dough. While shaping her baking items Izumi remarked, “its cinnamon. I love cinnamon.” She and Tuur agreed that the cinnamon play dough smelt “yummy.” As did Maximilian who shared, “Yeah, mine smell(s) yummy too.”

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Sense of Taste

While we of course did not suggest that the children taste the play dough, some children did like to test the taste of the ingredients we used, from the flour, salt, lemon juice and the spices of nutmeg and cinnamon.

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Sense of Touch

Play dough invites you to use your hands to feel and shape the dough into endless ideas. Through the use of our sense of touch we discovered that while different ingredients could change the colour and scent of the dough, often they also changed the texture.  Adding lots of salt makes the dough feel grainy and by adding cornflour it produces a softer and smoother consistency.

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We experimented by adding too much water to one dough mixture. This made the texture ooey-gooey and slimy. Owen excitedly suggested that we add even “more water!” The children played with the mix using their hands. Izumi commented, “It feels dry (before adding the water.) It feels funny. It feels too sticky. Look at my hands! It’s so slimy.” Many of the second language learners (with little or no English) made facial expressions that showed that the texture was sticky and felt interesting to them. Maximilian exclaimed, “Look at my hands!” Melvin commented, “It feels like flour. (Add) more water! Look at my hands!” Nikita added, “The flour feels very soft.” After adding lots of water, Nikita thought that it felt “goopy!”

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We needed to add hot water from the kettle to make a play dough mixture. Aaron explained how he could use his senses to observe the steam rising from the hot water. We tested his theory that we could tell the water was hot by holding our hand over the jug. Aaron shared his understanding that if we touched the hot water it would hurt us. Aaron made connections between how we can use our senses to recognise danger to keep ourselves safe.

By engaging with these provocations, exploring teacher-guided questions and participating in small or whole class discussions, the children were able to exchange ideas and build new understandings related to how “We use our bodies to learn about the world.” 

This is our favourite Play Dough Recipe

Ingredients:

3 Cups Plain Flour

3 Cups Hot Water

2 TBSP Salt

2 TBSP Cream of Tartar

2 TBSP Cooking Oil

1 Packet of Jelly Crystals or a few drops of food colouring

Method:

Mix all of the dry ingredients and oil together in a bowl and stir.

Add jelly crystals or food colour to the hot water.

Add the liquid to bowl and stir.

Let cool. If the mixture is sticky add extra flour.

When you are finished playing, store in an airtight container. It should keep for a few weeks.

P1380165 P1380160Photographs by Rebecca Smith (ICS Early Years Teacher)

 

January 22, 2015
by Andrea Mills
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Snow as a Natural Resource for Joyful Learning

 

As teachers, we spend a lot of time and thoughtful consideration when choosing learning materials. This week, however, nature did the planning for us. We were all delighted to arrive to a schoolyard covered with snow. Snow is the ultimate, natural, multi-sensory resource offering countless, open-ended opportunities for exploration and  playful learning. The winter outdoor environment supports many aspects of our units of inquiry as well as our PE unit.

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Arriving to snow covered school grounds was a special kind of magic.

In the Early Years, we have been carefully observing and experiencing seasonal changes in our environment throughout the year. Snow excitement was palpable as Jacob in EY2 eagerly greeted me Monday morning by inquring if  I had seen the snow and would we go out to play in it?  The children had already made many discoveries about the changing properties of snow, weather and the impact the cold has on the way we need to dress.

Naturally, opportunities to build gross motor skills are abundant during snow play. This was evident as we trekked up the snowy hill for some sledding adventures. The children acted as scientists as they collaboratively developed theories about ways to make the sleds go faster. Lola experimented with using the same patch of hill over and over again until she picked up some speed. Another group of children observed her work and then slowly joined in. Eventually, the group was successful in creating a path that supported their shared goal of sledding faster.

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We trekked up the snow hill altogether.

Another group  had the idea to make a “Snow Family”. There was negotiation about what that family should look like with rich discussion and debate about how many snow children and where “the snow baby” should sleep. Some children immediately began working on the “mama”. Akiva carefully made  a “baby”. After mixed success with creating another grown-up snow person (the big balls kept falling apart upon assembly), Daisy shared her idea that the balls be a “a baby bed” instead. The others agreed and soon the baby snowman had a place to sleep as well as a birthday cake  at the suggestion of Letizia. Along the way, there was investigation about how best to create bigger balls for the snow people. It was necessary to compromise, be flexible and to accommodate and build upon the emerging narrative of the “snowman family with a baby who has a birthday”.

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The children worked together to build theories about ways to make the sleds ride faster.

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Snow is an ideal learning material because it is completely open-ended with limitless possibilities. The children had agency over their play narratives and created their own opportunities for language , storytelling, scientific discoveries, mathematical thinking as well as social and physical development. We teachers were there to support the children to develop their theories and build their understandings, but mostly found that it was best to let the children do the driving.  As our youngest learners explored the familiar themes of families, birthdays, fastest/ slowest sledding, the children constructed their own learning in a meaningful way.

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 The children negotiated about what kind of Snow Family to create.

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Cooperation and perseverance were in abundance for a shared goal of creating a Snow Family.

Equally significant is the social context of this outdoor snow exploration. Arriving together to the familiar space of our school field, now  transformed to a particular kind of winter loveliness and the child-initiated experiences that followed, are shared moments in time that become part of our collective experience.  Joyful  memories filled with beauty and connections which are unique to our learning community.

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Snow as a natural resource for joyful learning.

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Making discoveries and exploring ideas in a changed environment.

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Photos by Rebecca Smith, Andrea Mills, Renata Andrez and Eva May Ernst

ICS Early Years Teachers and Teaching Assistants

 

November 13, 2014
by aislingabroderick
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The Importance of Splashing

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“Man is most nearly himself when he achieves the seriousness of a child at play”

Heraclitus

To learn through laughter, to explore without expiration and to follow ones curiosity to wherever it may lead, these are just some facets to the methods of teaching young children through play. When a group of EY1 children spend a happy hour splashing in puddles, an observer may see it just as a play scene, however if one looked a little closer at this scene there is much learning and exploring taking place.

In EY1 the children spend every Thursday morning in the forest. On a rather rainy day when enthusiasm for rain clothes was at a particular low the children looked a little incredulous at the thought of going outside in torrents of rain we set off as a group of brightly coloured waterproofed children to the forest. The children soon began to warm to the experience of rain sliding off their jackets and the sound as it dripped onto their hats. “Its tickling my nose” said Fred, “I can drink the rain, it tastes good” Jake announced. Encouraged by their teachers, the children jumped in the puddles. For some this was a new experience and they were initially hesitant, but watching their friends they were eventually compelled to join in. They splish-splashed and waded in their wellies through the water. They felt the water on their hands and faces. Shrieking with delight they formed groups, and jumped together, curious to see if the splash would be bigger “We can make a big splash with all of us “ said Mouza. Smelling the puddles the children reflected the water smelt like old rain, flowers and mud “It smells like flowers but muddy flowers” said Lola. They made wet rain angels in the grass and delighted in the patterns they left behind “Mine is a rain horse” Nikolai decided. We then waded into stream where they felt the resistance of the running water as they tried to make their way upstream, testing how waterproof their boots really were. “I feel the water when I walk, its not letting me go” Khalid cried out. Our group of tired children made their way back to school chattering about the size of the splashes they made and the sensation of the water against their bodies.

The children in EY1 are currently inquiring into how we use our bodies and senses to learn about the world  (Who We Are Unit of Inquiry). In this learning experience the children were discovering how water felt and smelled and were building this understanding through the work of play.

October 14, 2014
by Andrea Mills
2 Comments

Listening and Wondering on a Sound Walk

Music is a source of great joy, inspiration and learning opportunity in the Early Years. Integrated music enables our students to experience  music as an integral component of many aspects of our program. We have been learning new songs, engaging in rhythm games and exploring the different sounds instruments can make.

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During a class meeting, we wondered together if we could hear sounds better if we made our ears larger.

Recently, we have been inquiring into the sounds the children may encounter as part of daily life as well as reflecting on the many places we experience music. During a group meeting, children shared ideas and music memories.

Aaron “I heard music at a parade. It had these funny like armies. They had mud over their clothes. They were like funny music”.

Melvin“At my house we got a CD players with songs from Cars”.

Lola “When Mommy vacuums, she turns on music to clean my room”.

Izumi“At the circus! The beat was like stop and on”.

Aaron remembered, “at the other campus there was music. When I went downstairs I could hear the beat of music”.

Charli“I saw music in the city and there was a guy waving a big flag and doing tricks. He did it around his back”.

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We listened carefully and shared our ideas.

It became clear that the children had a strong sense of where and how they experienced music outside of school. Many spoke of performances, movies or soundtracks from beloved movies. Children from each class also spoke about sounds they heard outside.

Owen“Airplanes flying are making a noise in the airport like music”.

Thomas“I heard music at a festival in England and there were tents and wooden houses and there was music and other noises”.

The children were asked to consider if all sounds are music. There were many different ideas and as the teacher, I proposed we take a “Sound Walk” to the forest. The children were enthusiastic and we set off to discover the sounds of the outdoors. We discussed what might help us to hear better, including closing our eyes to focus on the sounds and making our ears “bigger” by adding a hand to extend size. In the EY1 Sound Walk, Izumi kindly reminded her friends that “if we all just calm down we’ll hear stuff”.

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We set off to the forest to focus on the sounds we hear outdoors.

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We sat together, closed our eyes and noticed that we hear more when we don’t see.

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We all listened for the sounds of the pond.

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Everyone shared his/her ideas about sounds with a friend.

We were astonished to discover how many sounds we heard including funny airplanes, a tractor with a car, cowbells, birds, foxes, a telephone, an airplane, kids, frogs, cars, kling klong sounds, grass, trees, a stream, water, leaves moving, swooshing, rain, dinosaur, bears, foxes and much more. In both groups, there were discussions about real sounds and sounds from our imaginations.

The Sound Walk was a joyful, multi- sensory way to bring our music learning outdoors. As the children focused on forest sounds, they developed listening skills in an environment that naturally cultivates a sense of curiosity and wonder.  Many used sophisticated language as they shared their ideas with friends and teachers. Over the next weeks, the children will be making more connections to our Who We Are Unit of Inquiry with a focus on ways we use our bodies to learn about the world.

June 23, 2014
by Andrea Mills
2 Comments

Early Years Bike Day

 

The Early Years classes have been inquiring into different forms of transport found in our community. In PE, we have been exploring the different ways we can move our bodies and build our physical abilities. These two units provided the perfect opportunity to further our understandings with a fun-filled “Bike Day” event at school last week.

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Everyone brought “wheels” to school

The children were invited to bring their “wheels” to school. Students arrived with bicycles, tricycles, scooters and other child- powered transport. We brainstormed together ways to set up our outdoor space so that we could participate joyfully and safely. We agreed that traffic should flow in the same direction and a group of EY2 students and teachers marked the bike path with sidewalk chalk. We also included a refuelling station, bike decorating table and “Bike Wash” to the space.

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Adding streamers to make our bikes festive

Naturally, this was a very physical day and provided many opportunities to build gross motor ability, spatial awareness skills and to engage in a healthy and fun activity. The experience of collaborating together to make a big event like Bike Day happen successfully also enabled the children to use and develop many other skills. As children negotiated about sharing space, they were building their repertoires of social skills including concepts like working together, compromising and listening to the ideas of others. There were countless language opportunities as children engaged in rich dialogue about their experiences including specialised transport vocabulary.

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Getting just the right balance

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We all wore helmets for safety

Complex, meaningful opportunities to engage in multi-layered learning like the many components of Bike Day,  fosters children’s social, emotional and physical development. Here are some of the students’ reflections on the experience:

Alex- “I liked racing with my friends”.

Ffion- “It was fun. I could go fast on my bike”.

Nicolas- “I could ride my bike on the gravel with my friends”.

Letizia – “The part that I liked was when I ride my bike, cleaned it and got gass”.

Oliver – “My bike I have cleaned, then again and again. I get my bike dirty”.

Pippa – “I liked that Letizia gave me her bike. I liked to ride her bike because mine was too hard. I washed Letizia’s bike”.

Charles – “On the bike Diego he play with me. He love me. Chloé hugged me. Chloé hold the scooter for me. She played with me”.

Mats – “Bike Day was the best day ever! I want to do it every day”.

Villum – “I think I will bring my bike again tomorrow. I think Mr. Moynihan will let me”.

Drew- “I liked sharing bikes with William”.

Amanda- “Me and Gushi went really fast on our scooters”.

Kirsty- “I liked it when Lilly cycled on Clara’s two wheeler even though she thought she couldn’t”.

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P1240137EY1 students at the Bike Wash

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Bike Day was a special event to share with friends

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Moving our bodies makes us feel joyful and healthy 

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Preparing  to ride

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Enjoying our bikes together with teachers

Photographs by the ICS EY Teachers

April 4, 2014
by Rebecca Smith
4 Comments

Exploring Measurement in Nature

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Collecting and playing with sticks is invariably a favourite pastime for the children in EY. The teacher used this natural curiosity and affinity to invite the children to explore and explain their understandings related to the mathematical concept of ‘Measurement’.

During a Waldkinder session the teacher invited the EY1 children to each collect a stick. A challenge was then posed:

‘Can we arrange the sticks in order from longest to shortest?’

This task offered the children the opportunity to identify items that can be measured. They were able to listen to the ideas of others and develop their own understanding of how measurement involves the comparison and ordering of objects. We observed as the children worked with excited enthusiasm collaborating with each other to identify, compare and describe attributes of these real objects to complete the challenge.

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Photographs by Rebecca Smith (EY Teacher ICS)

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